The restaurant, which serves fashionable twists on Japanese classics, is known as Mimi Kakushi after the distinctive bob haircut worn by the younger Japanese Moga, or fashionable ladies, who adopted western fashions within the interval after the primary world warfare.
This jazz age aesthetic can also be mirrored within the inside of the eatery, which is layered with wealthy textures and supplies together with conventional joinery, hand-painted partitions, beaded curtains and bespoke stained glass home windows.
“Mimi Kakushi embodies Japan when jazz was swinging into Nineteen Twenties Osaka, bringing fashionable artwork and western fashions to it,” defined Clémence Pirajean and James Michael Lees, who based Pirajean Lees in 2007.
Particularly, the duo regarded to the larger-than-life persona of Sessue Hayakwa, Japan’s first silver display screen star to search out success in Hollywood.
“Hayakwa completely personified this period,” mentioned the studio. “Identified for his lavish events, gold-plated automotive and castle-style mansion, Hayakwa’s story grew to become the muse for the design.”
The prevailing architectural options of the nightclub, reminiscent of the extent modifications within the ceiling and structural columns, guided the spatial structure of the restaurant.
Within the reception, diners are welcomed by hand-painted partitions earlier than making their well beyond a Japanese colonial-style bar with views throughout the sushi counter to the tables past.
An open kitchen, seen all through the area, creates a way of theatre within the restaurant.
All electrical and mechanical gear, in addition to the air flow system, is hidden behind a straw ceiling grid to protect a “residential really feel” inside the business area.
All through the challenge, Pirajean Lees was cautious to filter the robust Dubai solar, which penetrates into Mimi Kakushi from two totally different instructions.
To the east, a bespoke stained glass window was put in on the prevailing facade, bathing the area in heat, amber gentle. To the south, a picket bead curtain is used alongside mirrored tables and partitions to refract the sunshine.
“Mimi Kakushi is on the highest flooring of the constructing, with twin publicity on the east and west with absolutely glazed elevations,” the studio defined.
“It will get direct, robust daylight all day lengthy, which might be very uncomfortable when eating. We understood that as an alternative, we may use it as a bonus, as a design aspect in itself to rework the area all through the day as the sunshine modifications.”
Sliding lattice screens produced from darkish timber can be utilized to divide the open-plan restaurant right into a sequence of smaller areas for privateness and particular occasions.
All lighting, in addition to the scalloped-edged tables and a number of the seating, have been designed in-house by Pirajean Lees.
Different Japanese restaurant interiors embody Kotori in São Paulo, which contains conventional joinery strategies, and London’s Maido sushi restaurant with its Nineteen Sixties-style glass block wall and darkish cherry wooden panelling.
Pictures is by Maha Nasra Eddé.
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